The People's Queen by Vanora Bennett
Author:Vanora Bennett
Language: eng
Format: mobi, epub
Tags: a cognizant v5 original release september 16 2010
ISBN: 9780007311217
Publisher: HarperCollins Publishers Limited
Published: 2010-08-05T07:00:00+00:00
Fear spreads. Once you've let it in, it gets everywhere. Like love, perhaps.
For the first time, Alice finds she's leery of travelling alone. She takes an escort of palace servants because she'll have to leave the London road for the last few miles of her journey, and you can't trust the woods, these days. The woods are dripping, rustling refuges for violent companies of men and archers back from the wars, out from their tied fields, shifting and making shift, living wild. No money to clear them out, and no one with the will to, either. People are quoting the Bishop of Rochester's latest thundering sermon: England, inundated by homicides, where men are swift to the shedding of blood. Nowhere is safe.
But she leaves the servants at the wayside inn at Upminster, a mile away from Gaines, because, even though the innkeeper says there are murderous footpads everywhere round here, she can't trust palace people either. Servants talk.
'Wait for me here,' she says, more bravely than she feels. 'I'll be back in two days.'
And she walks her horse on, slowly, through the silent drizzle, thankful for the wet that muffles the sound of hooves. Every crack and rustle in the undergrowth sets her heart racing. Once she thinks she hears the snorting of another horse. She freezes. She waits. Nothing. There is no birdsong, either, though she hears a very occasional whir of flight. The woods still have the deadness of winter. Only the stream is full and racing. Yet, as the trees begin to thin out, she sees there are after all a few buds fattening and straining on the twigs slapping at her arms.
There will be spring. She'll just sit tight, as Chaucer said. She'll be all right.
She can't believe the exquisite sweetness of getting out of the woods; or the pearly afternoon light still in the sky as she lets herself through the gate and plods on up the track through the field.
Her breath comes more gently. Joy fills her at this flat, barren vista.
She thought, once, that she'd plant a great avenue of shade trees along the sides of this track, and that they would lead visitors to a warm, commodious, beautiful manor house, surrounded by gardens of waving roses and gillyflowers, with bees in the rosemary and lavender and doves fluttering through the orchards.
Tumbledown though it is, in reality, with those piles of timbers and broken-down carts and boxes and old cracked tiles that Aunty can never bear to throw out ('You never know, they might come in handy, love'), the windswept house ahead represents safety. Love. Home. And, today, that makes it beautiful enough.
Until, over there at the other end of the great field, she spots two young girls skipping. Even from here, she can see they're in rags, like peasant children. Their legs are muddy. Their rope's muddy. Even from here, she can see they're hers.
Her heart leaps with a painful, toxic rush of feelings.
Last time she came, she sent word to Aunty Alison beforehand.
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